Teaching & Education

Workshops

Bringing the language of tabla to universities, schools, festivals and cultural institutions.

Manmohan is equally devoted to the future of his art as to its past. Through workshops in schools and universities in both India and the UK, he invests in the next generation of listeners and practitioners. Every workshop is designed as a living encounter with the tabla — a chance for participants of any background to experience the instrument's voice, vocabulary and cultural lineage.

Formats

What Manmohan Offers

Universities

University Lectures & Workshops

Interactive sessions for music departments, ethnomusicology courses and world-music societies. Previously conducted at institutions across the UK and India.

Schools

School Programmes

Age-appropriate introductions to Indian classical rhythm — perfect for secondary schools, arts colleges and multicultural curriculum partnerships.

Festivals

Festival & Venue Residencies

Short residencies and public masterclasses for arts festivals and cultural venues — combining performance, demonstration and audience dialogue.

Private

Private Group Sessions

Bespoke tabla workshops for corporate cultural events, embassies, and community groups — tailored to the audience and context.

Collaborative

Cross-Genre Workshops

Dialogues between tabla and other traditions — Kathak, Jazz, Western percussion — exploring rhythm as a shared vocabulary.

One-to-One

Individual Instruction

Limited one-to-one study available for committed students, rooted in the Banaras Baaj but open to all serious learners.

Music is not just performance — it is connection, a dialogue with the audience. My workshops are an invitation to enter that dialogue. — Manmohan Dogra
Typical Elements

Inside a Workshop

OpeningA short live demonstration introducing the tabla's voice and vocabulary — bols, theka, and the feeling of laya.
LineageAn accessible introduction to gharanas — with particular focus on the Banaras Baaj and its signature resonance.
DialogueDiscussion of rhythm as a universal language, with reference to Kathak, Jazz, Western percussion and fusion practice.
ParticipationHands-on rhythm exercises — clapping cycles (taal), vocalising bols, call-and-response.
Q & AAn open conversation with the artist about practice, tradition, fusion and the road from Banaras to Edinburgh.
Theme